I want it to sit on the first frame longer, so I set its rate to 2sec. The last thing is to set the frame rates. But its a bit bright, so the first frame it appears at 15% opacity, then 30%, then 60%. Now I don’t want this to appear until frame 4, which I can do with the visibility toggle in the layers palette. We are getting close! The next thing is to add an element, I import a PNG file with our signal content, and place it over te layer with te signal beam. I will modify this selection on each frame because Batman is movine, but the idea is to remove all of the sky from the 6 other animation layers, so the only sky we see is on that base layer we made by clone brushing out the bat signal.īy toggling the visibility on the frame with the signal, I can make it appear in the last 5 frames, as if it turns on in frame 3. I then invert te selection.Īnd I can delete all of the sky in upper frame. I use the magnetic selector to make a selection of just the caped crusader and the platform he is standing on. Now to deal with the ugly hole left behind. It does leave an ugly hole, but I have a plan.īut I first dress up the signal, filling it in as a solid (bye bat signal!) I make sure this layer is above all the others. I do bit of magnetic lasso, feathered edge to select what I want to move to its own layer: I want to get this to its own layer (above all other layers) so I can control its appearance by turning it on and off as a visible layer. Now I want to go to another frame, and cut out the beam and signal. Getting rid of the beams in the signal was a bit trickier, I ended up paint brushing in and using the smudge tool to cover the beams. You option click on one area as the source, and paint over another area, starting with the bat signal Here is where the detailed effort with the clone brush pays off. By default it ends up visible across all other frames each freme usually has only one layer visible, but we can switch them on and off in individual frames.įor the background, I will want to wipe out the signal and its beams. I do this by making a copy of the first or lowest layer. To do this I need to make a background layer that will be consistent across all frames. Now I know I want to do some effects in layers and add some elements. Frames where little changes is wasted space in the final file. The whole point is to reduce it to a minimal amount. Also, the signal in the sky kind of warbles, but I have plans to change that. IN this clip there is only minor movement of the Bat Dude. I start stepping through the frames, trying to delete ones where there is not significant motion from the previous. But make sure the “fram animation” box is checked.īring up the Animation palette (under Window). You dont want too many because the point is to reduce it to a handful. I chose to save every 6 frames because the segment is so short, on a longer clip I might go every 10 or 12 frames. The settings here may take some fiddling. To bring the clip into Photoshop we use File -> Import -> Video Frames to Layers. This is because PhotoShop CS5.5 can only open. MOV from the small drop down menu at the bottom. I then saved the clip – but rather than keeping the. I went to Edit -> Trim to get just the segment. Ti get my trim, I opened in MPEG StreamClip and marked the in and out pounts of the section I needed. While Bruce Wayne has always been shrouded in darkness as Batman, framing the light of the Bat-Signal as an equally dark part of his arsenal will be pretty significant when The Batmanreleases in March of 2022.I used the pwnyoutube bookmarklet tool to download a 720p HD clip, always better when you get a higher quality source video. The change in meaning for the Bat-Signal is quite telling for the film's overall tone as well, featuring Robert Pattinson's grounded and gritty Batman determined to make his enemies fear him and going to extremely brutal lengths to do so. In any case, seeing such an iconic light in Gotham being viewed in such as dark manner is very dynamic. As a result, it makes sense that the symbolism of the Bat-Signal would also not be fully realized (yet). Seeing him operating solely as a vengeful vigilante is a new kind of Batman on the big screen that should be very entertaining: a Batman unburdened by origins while not being fully developed either. It appears as though Bruce Wayne's evolution and growth into a hero has yet to come in The Batman, which is ultimately a good thing.
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